CN - Architect & Interior Designer
Architect & Design Interior
Specialized in fashion and advertising photography, he has also covered extensively India during the last 25 years.
Peter is equally experienced in underwater fashion photography and underwater advertising photography, using free diving and scuba diving techniques.
Many of his campaigns have been rewarded, including the Coleman outdoor campaign represented in the Thames&Hudson “Creative advertising – Ideas and techniques from the world’s best campaigns” book.
Price on request
Professional photographer, graduated from the Saint-Luc Liège School in 1994, Mireille is now a photographer specialized in architectural, portrait and culinary reportage. Versatile too. She also works in studio for packshots, web commerce or image creation according to request.
Mireille Roobaert have more than twenty years of experience and partnership with decoration magazines around the world, communication agencies, architects’ offices, construction companies. She photographs with an experienced and quick eye and knows the expectations of architects, decorators, designers, institutions, real estate agencies, editors, communication agencies or any other client.
“My job as a photographer is no less artistic, apart from my shootings and the hours spent in post-production in my office, I have a personal photographic approach exposed in the gallery.”
Details
Model : VIENS, VOIS ET VA
Designer : MIREILLE ROOBAERT
Origin : BELGIUM
Price Request
Ghislain and Marie David de Lossy modus operandi transcends the nature photographic genre and traditional techniques. Displaying 40 photographic images taken over the course of several trips throughout Europe encompassing Finland, Iceland and Spain, their images offer a unique and unusual outlook on the animal world and nature.
The contemplative viewer is required to scan the landscape for the animal, as it is not readily apparent, regardless of its actual size. The viewer’s eyes sweep the vast panorama (3 meters plus in length) from one end to the other interrogating and ultimately losing themselves in the intense detail.
Despite the incredible precision and clarity, there is something surreal about the natural environment shown in these photos. In this paradox lies the magic of Marie and Ghislain David de Lossy’s artworks. At the origin ot this sleight of hand lies a unique shooting technique that consists of freezing the focal point, speed, diaphragm and the distance from where the animal is initially photographed before reproducing and reconstructing the surrounding landscape. Each one is realised by reuniting 100 to 150 shots. One of those shots is a single image of the “subject”, reintegrating the animal in its original environment.
Using digital data, their photos (each several billions of pixels rich) reveal perplexing details that cannot be seen through the actual telephoto lenses. This is shown by, for instance, a gnat colony still flight right under the nose of a bear that is just coming out of the forest.
This new approach to nature, both macro and microscopic, blurs the border between reality and fiction. It is between these two worlds that we find the certain poetic quality of their artwork. The telephoto effect breathes the viewer right into the middle of the landscape, turning us into image hunters. Lost in the vast wilderness we can, strangely enough, see the invisible. Rich colours add to the supernatural aspect of the setting and excite our imagination. Nature thus sublimaged seems to harbour unexpected guests : elves and fairies, ready to colonise the banks of the lead-coloured lake.
Details
Model : FOXFALL
Designer : GHISLAIN AND MARIE DAVID DE LOSSY
Period : 2017
Origin : BELGIUM
Dimension : 140 cm x 70 CM
Price Request
Brigitte Marionneau is a French ceramist, born 1958 in Anger. No matter how plain it may be, in her work lines are never hard or dead. Quite the opposite, they are touched by a vibrant firmness, a breath, betraying the ceramist’s constant desire to elevate the material to the heavens.
Details
Designer : BRIGITTE MARIONNEAU
Period : 2019
Courtesy of Modern Shape
Price on Request
Harry’s work is known for its unusual marrying of materials and experimental approach to traditional process. Referencing ancient techniques and histories such as Venetian glassblowing and Brutalist architecture. He challenges the connotations behind the materials. Despite being composed of the same elements, glass and concrete appear as conflicting materials. Glass reflects ambiguity and intangibility. In sharp contrast, concrete is brutally physical. He may be an emerging artist since graduating from Edinburgh College of Art with a first-class degree in Glass; nevertheless, his work and talent has already been acknowledged worldwide. He has been exhibited in countries such as Sweden, Dubai and the United States and has won several awards such as the Award for Emerging Talent at the 2015 British Glass Biennale and a Graduate Craft Award at the 2016 Scottish Craft Awards.
“The use of glass in my work draws inspiration from the ancient Venetian glassblowing technique, murrine; where each rod or thread of glass is individually pulled by hand from a furnace. The glass is then arranged into a sequential structure and cast within concrete or precious metal, which binds them as one object. Im interested in applying these traditional skills in alternative directions.”
Harry Morgan, 2017.
Picture by Shannoin Tofts Photography
Courtesy of Modern Shapes
Details
Model : GLASS AND CONCRETE SCULPTURE AND WITHE CYLINDRAL SCULPTURE
Designer : HARRY MORGAN
Period : 2018
Price Request
The work of David Umemoto exudes mystery, stimulates the imagination, but at the same time gives a sense of reflective discipline. In the twilight zone between sculpture and architecture, these pieces evoke the feeling of temporary buildings and monuments.
Concrete sculpture in limited numbered edition of 3.
Courtesy of Modern Shapes
Details
Model : ZAIRA
Designer : DAVID UMEMOTO
Period : 2018
Dimension : H 62 x W 25 x D 25 cm
Price Request
Xavier Le Normand blows glass and extracts from the burning mass organic forms. A central depression signs most of his works. It focuses the light, grabs it on the surface of the glass. The sculptor then cuts the glass cold. It reveals the different colored layers (overlays) or creates a network of repetitive patterns. Static landscapes appear on the surface of the glass. Xavier Le Normand plays with the translucency of glass often hidden from view. It is only observed at the limits of volume: between two layers of glass or on the surface of a silver. The artist often gives his material a deep opacity that invites touch. In his art, he confronts the immediacy and perpetual movement of blowing the burning glass faced to the time invested when he reworks and resculpts the cold glass. The artist feeds his never-ending inspiration from his many travels throughout the world, where he encountered the very best, such as Monica Guggisberg & Philippe Baldwin. His sculptures seem like imaginary geographies, crossed by strange rivers or volcanoes; unknown gassy planets; multi-colored spheres that fascinate the viewer. In 2009, Xavier le Normand was laureate of the prestigious “Prix Liliane Bettencourt pour l’Intelligence de la Main”.
Courtesy of LKFF gallery
Details
Model : YEUX DE SORCIERE
Designer : XAVIER LE NORMAND
Origin : FRANCE
Price Request
The manifestations of Markus Hofer’s works can be extremely different. However, it is the constantly resurfacing thematic approaches such as place, time and material, that permeate the work and reach us packaged as humor, irritation and variation.
Everyday objects are modified by specific interventions so that viewing these things leaves us in doubt of the circumstances of reality. It is only for a short time, but it is exactly this moment of irritation that is an essential component in Markus Hofer´s objects.
Answering the question how our perception determines our reality, and thus becoming one of the foundations of our existence, succeeds by constantly dismissing the most obvious association.
So, for example, in Hofer’s work a chair is not a chair, but perhaps a plant or another object, whose function is not immediately revealed.
Courtesy of LKFF
Details
Model : SOUP PLANT (BLUE)
Designer : MARKUS HOFER
Origin : AUSTRIA
Material : Metal , mastic , painting
Price Request
The manifestations of Markus Hofer’s works can be extremely different. However, it is the constantly resurfacing thematic approaches such as place, time and material, that permeate the work and reach us packaged as humor, irritation and variation.
Everyday objects are modified by specific interventions so that viewing these things leaves us in doubt of the circumstances of reality. It is only for a short time, but it is exactly this moment of irritation that is an essential component in Markus Hofer´s objects.
Answering the question how our perception determines our reality, and thus becoming one of the foundations of our existence, succeeds by constantly dismissing the most obvious association.
So, for example, in Hofer’s work a chair is not a chair, but perhaps a plant or another object, whose function is not immediately revealed.
Courtesy of LKFF
Details
Model : LITTLE CAN (GREEN)
Designer : MARKUS HOFER
Period : 2018
Origin : AUSTRIA
Material : Metal , mastic , painting
Price Request
The manifestations of Markus Hofer’s works can be extremely different. However, it is the constantly resurfacing thematic approaches such as place, time and material, that permeate the work and reach us packaged as humor, irritation and variation.
Everyday objects are modified by specific interventions so that viewing these things leaves us in doubt of the circumstances of reality. It is only for a short time, but it is exactly this moment of irritation that is an essential component in Markus Hofer´s objects.
Answering the question how our perception determines our reality, and thus becoming one of the foundations of our existence, succeeds by constantly dismissing the most obvious association.
So, for example, in Hofer’s work a chair is not a chair, but perhaps a plant or another object, whose function is not immediately revealed.
Courtesy of LKFF
Details
Model : THE MIDDLE (RED)
Designer : MARKUS HOFER
Period : 2019
Origin : AUSTRIA
Material : Metal , mastic , painting , porcelain
Price Request